项目背景：

 

本设计以牡丹亭戏剧的历史剧本为背景，结合导演对戏剧编排的需求，反思传统素材在当今文化语境下的再现方式。从而以新中式为主导思想，考虑如何对传统元素进行演化为今所用。以唤起对过去的记忆，又不失当代性。以此作为从现代城市进入演艺园区内的连结性的过度节点。

 

在快速流变的历史背景下，我们将选择性地拾取主流及根本性意识，并予延续。建筑作为媒介来表现人与自然的关系，不仅在过去被古人强调，今天的我们依然在遵循并渴望着。在这一渴望中，我们重新认识我们的工具并更新我们的工具。木结构建筑作为历史悠久的传统建筑结构，我们今天可以在空间及结构形式上继续延续这一记忆。

 

设计介绍：

 

场地比邻城市主干道-赣东大道与散落着老建筑在其岸边的抚河，以及一些居住建筑。而公园整体将是被围墙或建筑与周边环境明确分割的内向型场所。于是这个场地的自主性显得比较突出。在这一自主的场地内各个有着不同行为需求的建筑（游客服务中心、办公、排演厅及宿舍）可以找到各自的位置以显现其个性。

 

平坦开阔的入口广场联系着城市和服务区，穿过其中更像是在与天空打个照面，没有太多的语汇只有简单的问候。游客接待大厅作为入口广场的终点，延续着这一礼仪。做为游客到达时候的第一体验性的空间，我们更倾向把它作为一种装置性的空间，在巨型天窗下，体验天空在随着时间流失下的变化。

 

穿过接待大厅，来到办公区，这里也是演艺园区入口区域。远眺是此地的期待。有着特殊视野需求的会议接待大厅，置于这一区的最高处。通透的会议接待以办公空间为台基，遥望演艺公园。

 

宿舍在场地北侧的角落里，却依然在寻找庭院的生活方式。在这里由四个相对独立的体块围合了空中庭院。庭院中开敞式的内廊联系着庭院周边的各个部分，成为空中庭院的生活方式的重要空间。开敞式庭院同时提供了通风、采光等自然条件。

 

在基地的中间被它们围合出一内院空间，在这里可以沉静地体会自己的每一个脚步，是远还是近？慢慢地，也就成了排练大厅。

 

针对四个主要功能块（游客服务中心、办公、排演厅及宿舍）的空间特征：游客中心为开放型的公共空间；办公为外向型公共空间；排演厅为内向型的公共空间；宿舍为封闭的私密空间。在总体布局上，大体上形成“U”型的半围合式的院落形态，同时结合原有保留建筑及会议接待对面向演艺园区的视线需求，从而形成“U”型及“I”型的两条空间结构控制线。

 

单体设计特点：

 

从传统的木结构形成的门形结构形式为基础，演变出“Y”形的结构形式。从而对这两种形式重新灵活运用，以产生本设计特有的结构形式。

在宿舍设计中，我们运用门形结构和“Y"形创造出蜂窝形的框架结构形式。所以我们将四组宿舍空间分散地布置在蜂窝形的结构框架上，在四组建筑之间留出了共享空间。同时成为宿舍内部的交通连接点。

在办公设计中，我们运用门形结构和“Y"形创造出较为自由的三维树状结构形式。将不同特性的办公空间分布到不同形态的结构框架上。

 

 

Design ideas:

 

This design takes the historical script of Peony Pavilion drama as the background, meanwhile, considers the director's demand for drama arrangement to reflect the way that traditional materials are reproduced in contemporary cultural context. Therefore, taking “the new Chinese style” as the leading idea, consider how to evolve the traditional elements for today, to evoke memories of the past without losing the contemporary. As a connecting node from the modern city into the virtual performance park.

 

In the context of rapid change, we will selectively pick up mainstream and fundamental awareness and continue. Architecture as a medium to express the relationship between human and nature has not only been emphasized by the ancients, but also today we are still following and longing for it. In this desire, we re-recognize this medium and update them. As a long-established traditional architecture, wooden structural building and courtyard lifestyle, we can continue this memory in terms of structure and space today.

 

Overall layout:

 

It’s the extension of the historical street of Wencangli, and next to the main road and Fu river and residence area. However, the whole performance park is quite exclusive zone, which is fenced by walls and buildings from city. So the project is more like a packed gift of the city. In this site, different type of program can place themselves and demonstrate their own character.

 

The simple open square connects the city and the service area. walking in the square is more like greeting with the sky without too many words. There are two simple paths toward the service hall that is at the end of the square and continues the ritual of greeting. As the first experiential space after arrival, we would like to look at this hall as an installation space. Visitors experience the changes of sky as time goes by, under the giant skylights.

 

Cross the service hall and come to office area, at the front of the entrance of the performance park. Looking far into the distance is the desire of this place. So, like conference hall, asking for this type of property of space, we put it on the top of the office area in order to overlook the whole park and so.

 

The dormitory is in the corner of the north side of the site, but still looking for a courtyard lifestyle. Here, the hanging courtyard is enclosed by four blocks. The open inner corridor connects the different parts of the blocks and becomes an important space for the lifestyle of the hanging courtyard. The open courtyard provides natural conditions such as ventilation and daylighting.

 

In the center of the site, there is an inner courtyard space. Here, you can calmly understand each step of your own. Is it far or near? Slowly, it became a rehearsal hall.

 

The architectural layout of the service centre is aimed at the spatial characteristics of the four main functional blocks (tourist centre, office, rehearsal hall and dormitory): the tourist centre is an open public space, the office is a closed public space, the dormitory is a closed private space, the rehearsal hall is kind of in-between space. we use tourist centre and dormitory and office to form an “U” shape layout in order to compose a courtyard kind of introvertive space for rehearsal halls. At the same time, taking an account for the original preserved building, and the line of the view of the conference, which is a part of the office, is result in two spatial control lines of “U” and “I” shape.

 

Under these two control lines, the visitor center is arranged in conjunction with the preserved building (museum) to connect the entrance square and the entrance of the performance park with a narrow exhibition corridor. The office part is next to exhibition corridor and set on the south side of the site so that the conference reception can get a better view. While the more intimate part - dormitory - is lined up with the north side. In the center of them, it’s a courtyard space which takes on the program of rehearsal, there are three free standing rehearsal halls.

 

Structure design concept:

 

Based on the form of the traditional wood structure, the "Y" shape is evolved. The two type structure units are re-used to produce a unique feature to the design.

 

In the dormitory design, we use the traditional structure and the "Y" shape structure to create a honeycomb frame structure. We have four sets of dormitory space scattered on the honeycomb structure frame. Leaving a common space between these four parts as a transportation space.

 

In office design, we use the traditional structure and the "Y" shape structure to create a freer three-dimensional tree structure. The office space with different characteristics is distributed to different structural frameworks.